I think that the tendency for most people is to fall back on a comic interpretation of things -- because things are so sad, so terrible. If you didn't laugh you'd kill yourself. But the truth of the matter is that existence in general is very very tragic, very very sad, very brutal and very unhappy.
I think now films are reflecting the exact same thing that goes on in society today which is for the first time since then people are sitting at restaurants and having conversations about their concerns or their beliefs in the political system and I think that films reflect that. We're not good first responder films. We have to write a script after things happen. We have to direct it. We have to shoot it. We have to edit it and release it. So, in general we tend to be, you know, is there a liberal bend, sure. I don't make any apologies about that. I'm a liberal, you know. I believe in it.
It [the movie art form] combines so many other art forms, as do theater and opera, but the essence of cinema is editing. It's the combination of what can be extraordinary images, images of people during emotional moments, or just images in a general sense, but put together in a kind of alchemy. A number of images put together a certain way become something quite above and beyond what any of them are individually.
I mean, you go to the Internet and you can see all these conversations and arguments that our fans have about our music and that's wonderful to know, that people would take the time to be that involved.
A journalist is basically a chronicler, not an interpreter of events. Where else in society do you have the license to eavesdrop on so many different conversations as you have in journalism? Where else can you delve into the life of our times? I consider myself a fortunate man to have a forum for my curiosity.
Today's serious nonfiction writer is important to society because from a solid background of social sciences, combined with the journalistic skills of a reporter, one moves beyond the reporter function to the front edge of our emerging society.
The history of society is the history of the inventive labors that man alter man, alter his desires, habits, outlook, relationships both to other men and to physical nature, with which man is in perpetual physical and technological metabolism.